The reason may be that, like other Tarantino films, the humor is forgotten amid the horrifying displays of violence and torturously extended moments of tension.
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Even the ending, with the soldiers marching in the fiery wreckage of an “emancipated” village and singing the Mickey Mouse Club theme song, presents a hilarious dichotomy which highlights the absurd marriage of war and peace.ĭjango Unchained is probably the most consistently funny Tarantino movie despite no official recognition as a comedy.
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Full Metal Jacket’s grim outlook is insulated with satiric and silly humor, from Private Pyle’s antics to the bizarre song choices to the prostitute’s dialogue to impromptu karate. Who knew “Eskimo pussy is mighty cold”?īut the Ermey scenes aren’t the sole sources of comedy. Even the chants he leads are awe-inspiring.
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Such lines as “the best part of you ran down the crack of your mama’s ass and ended up as a brown stain on the mattress” and ‘I bet you’re the kind of guy that would fuck a person in the ass and not even have the goddamn common courtesy to give him a reach-around” are launched at the soldiers during introduction, employed to weaken any remnants of defiance.Īll throughout basic training he runs the recruits through physical and verbal obstacle courses, the latter of which prove harder to conquer thanks to the sergeant’s unmatched wit. Lee Ermey, at the rare behest of director Stanley Kubrick, improvised a barrage of creative insults toward the deer-in-the-headlights recruits over whom his character presides. In a scene that is now cinematic legend, R.
Much of Full Metal Jacket’s humor comes from one character: The Drill Sergeant. This duality of storytelling makes Boogie Nights not only one of the funniest non-comedies but one of the greatest movies, and solidified Paul Thomas Anderson as a subversive mastermind. Other scenes, like the record producing sequence and Philip Seymour Hoffman’s repressed lust are also extremely funny, but express an underlying hopelessness. The absurd calls his name, and the answer breaks his trance and leads to Dirk and Reed, after a few small hiccups, escaping with their lives. Dirk echoes our thoughts in a now-famous camera staredown in which he contextualizes the situation and sees what his life has become. The trio tries to keep their cool but this becomes impossible as the drug-fueled mania becomes unbearable. The dealer is out of his mind, singing 80s pop hits and rattling off non sequiturs, while a Chinese boy lights firecrackers in the background for no discernible reason. However, things get so wacky off the bat that the soundness of the plan is quickly doubted by the hopeful thieves. Dirk, Reed, and Todd visit Alfred Molina’s drug dealer character with the intent of ripping him off with fake product. Take the scene with the botched drug deal. Following porn star Dirk Diggler through his rise and fall in the industry, the film weaves tattered strings of lavish hedonism into an absurd but poignant whole, producing laugh out loud moments and thoughtful ruminations all at once. This concept is easier executed in Boogie Nights, wherein the plot is insane to begin with. Unlike other dramedies that use out of place jokes and random events for comedic purposes, Boogie Nights plays the long game: a multi-contextual setup for which the film is the punchline.
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